Category Archives: First Nations

Fieldschool Update, and Public Lectures

Screenshot of Times Colonist article - click to go to the story.

I am in town briefly and see the Time-Colonist has an article and photo gallery about the UVIC-Parks Canada archaeological fieldschool in the Gulf Islands.  It’s a pretty good article with some nice quotes from the students about their experience, and which emphasizes how threatened some archaeological sites are.  It would have been nice to see more acknowledgment of local First Nations and of the hard work Parks Canada’s liaison team is doing to help build relationships around cultural resource management.  It’s very early days for the field school but in the medium term it hopes to be of service to First Nations and their archaeological questions and concerns. A big part of that is the specific focus on archaeological site assessment and management skills being taught by the course instructor, Dr Duncan McLaren, and another big part is the presence of paid First Nations interns who will be taking the field school – only one this year but more in the future it is hoped.  Anyway, the article tells part of the story very effectively and the reporter and photographer had an interesting time with the fieldschool and vice versa.

In related news, I’ll be giving a public talk about Salish Sea archaeology with a fieldschool update this Friday July 30 on Pender Island at 7.00 in the Anglican Hall.  Then, my mini road trip takes me to Saturna Island on July 31 for a talk at 7.30 at the Community Hall.  Otherwise, there probably will be no updates here until the middle of August.

Times-Colonist screenshot - click to go to story.

Images from the Likeness House

Cover of Dan Savard's new book. The RBCM caption reads: "This man has been variously identified as a chief from four different areas of BC’s interior, including possibly Tyee Jim from the central interior (tyee means “chief” in Chinook, a trade language). John Wallace Jones or Thomas McNabb Jones photograph, about 1897." Source of this photo: Amazon.ca

There is an exciting new book in the pipeline on early photography and First Nations of the historic period.  The author, Dan Savard, is senior collections manager of the Royal BC Museum’s anthropology audio and visual collection.  The promotional blurb reads:

On a winter’s day in 1889, Tsimshian Chief Arthur Wellington Clah visited Hannah and Richard Maynard’s photography studio in Victoria to have his portrait taken. “Rebekah ask if I going likeness house,” Chief Clah wrote in his diary, “So I go, to give myself likeness. Rebekah stand longside me.” In Images from the Likeness House, Dan Savard explores the relationship between First Peoples in British Columbia, Alaska and Washington and the photographers who made images of them from the late 1850s to the 1920s.

I won’t be here (have some bottom sampling to attend to in Haida Gwaii), but Dan is giving a free public lecture and will sign copies of his book next week at the RBCM.

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More on Comox Harbour Fishtraps

Fishtrap stakes delineating chevron patterns in the intertidal zone of Comox Harbour. Photo credit: Greene 2010.

I posted once before some time ago on the incredible fishtrap complexes in Comox Harbour on eastern Vancouver Island, highlighting Megan Caldwell’s M.A. thesis (downloadable) on the topic, and mentioning in passing that primacy of investigation should perhaps go to Nancy Greene, who has been mapping and dating these features for about a decade.  I was glad to find the other day that Nancy Greene has a 2010 downloadable poster on the topic (link starts a 4 meg PDF)  from an academic conference: WARP, the Wetland Archaeological Research Project, which itself has a nifty new website.

These Comox Harbour fishtraps are one of the wonders of B.C. Archaeology and it is highly welcome to see some more of Greene’s reconstructions and mapping.

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Mystery Pipe

Mystery panel pipe. 12 inches long by 4 inches high.

I got contacted the other day by someone who was handling the estate of an elderly art collector.  The entire collection is African with one exception, the panel pipe shown above, and with more pictures below.  The person is looking for some basic information about these pipes and I suppose they will be charged with its disposition.  They contacted me thinking I might know something about them because I have posted about such pipes before, but of course I am just an archaeologist and  make posts about a lot of things of which I am largely ignorant.

Mystery panel pipe, detail.

I’ve given them contact information for someone who actually does know but in the meantime they said it would be ok to post these pictures here and see what the readers have to say.

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More on the Sea-to-Sky Cultural Journey

Sign at the Horsehoe bay kiosk. Source: tad McIlwraith flickr.com account.

A month or two ago I commented on the Squamish and Lil’wat Cultural Journey website, which explores oral history and place names in the traditional territory of these two southwestern British Columbia First Nations.  I was really happy to see that Douglas College Anthropologist (and occasional commenter here) Dr. Tad McIlwraith has carried the review much further.  He’s even taken it into the field, so to speak, by documenting and discussing the actual cultural centre itself, and also the roadside kiosks which bring Squamish and Lil’wat histories to the travelling public.

Tad’s review has two parts.

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William Alexander’s Watercolours of Vancouver’s Voyage

Village of the Friendly Indians near Bute's Canal. Watercolour by William Alexander. Source: University of Illinois.

Yesterday I posted an engraved  view of  a village near the entrance to Bute Inlet, the view seen in 1792 during the voyage of Captain Vancouver.  Much as with the earlier posts on John Webber (1, 2, 3), there are multiple versions of these scenes.  The above shows a watercolour rendering made by William Alexander, a well known artist and draughtsman of the late 18th century.  It seems his series of works on the NW Coast was not done from life but was a commissioned finalization of the drawings of William Daniell, who was actually on Vancouver’s voyages, and perhaps other artists/oficer’s sketches.  At least that is the story I’ve been able to winkle out, starting from a position of sheer ignorance.  Nicely, though, Alexander’s watercolours from the Vancouver Voyage series, covering Alaska, the Northwest Coast and some views of California and Chile, are all available online through the Newberry Library at the University of Illinois.  These renderings were not familiar to me and perhaps not to you, either.

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Houses on Stilts

"Village of the Friendly Indians at the Entrance of Bute's Canal", 1792. Click for zoomable version.

The above image shows a seemingly improbable Kwiakah Kwakwaka’wakw Village (EDIT: probably Homathko Coast Salish Village) at the entrance to Bute Inlet, as drawn in 1792 by a member of Captain Vancouver’s expedition.  With the houses scattered up a steep hillside, the top one apparently partially cantilevered out, it does not fit the average archaeologist’s mental model of a typical Northwest Coast village.  The setting would undoubtedly have some defensive advantages, at least for those at the top.  I know of another image of a steeply-tiered village site which is apparently not strictly a defensive site.  Hard to live on the side of such a steep hill, you might think.  Wouldn’t it be nice to have photographs of such a village?  Aha.

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Basket Conservation at the Langley Centennial Museum

N'laka'pamux Basket undergoing conservation treatment. Source: LangleyMueum.org

I know I occasionally grumble about how regional, publicly funded museums in B.C. are almost devoid of archaeological and aboriginal substance, especially on the web.  A happy exception to this is the Langley Centennial Museum near Vancouver, which has an unusual and interesting virtual exhibit of N’laka’pamux basketry.  The museum is in the possession of a large collection of these baskets, made by an interesting historical figure from the Yale-Lytton area of the Fraser River: one Kathleen Pearson. The exhibit consists of a number of pages, including a short essay (5 pages) which is strangely not clearly linked, based around Boas et al.’s 1928 Bureau of American Ethnology Publication.  The museum goes beyond the historical frame by discussing recent named weavers such as Mary Ann James, and the continuing tradition of N’laka’pamux basket making.

It is really great to see a relatively small museum explicitly recognizing that the world didn’t begin in 1846 and going beyond the story of white settlers as if they were a self contained pod of culture beamed down from Queen Victoria’s forehead.  The other thing  I particularly like about this small web exhibit is that the museum highlights the activities of another group of unsung heroes in the world of heritage conservation: the conservators who restore, stabilize and protect the artifacts entrusted to museums.

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Katzie Artifact Gallery

Ground stone celts (adze and chisel blades). Source: Katzie.ca

Hmmm: the pictures are low resolution, there isn’t much annotation, many are of replicas, and the page design HTML is wonky, causing a lot of sideways scrolling.  Yet I really like the Katzie First Nation’s artifact gallery.  And no, its not only because they give ground stone its rightful pride of place.  Though, in the image above, feast your eyes on the uppermost left specimen – an unusual yet definitive example of a broad celt being bisected to form two narrow ones.  In essence, an adze is being turned into two chisels.  Chew on that, Spaulding and Ford. Also check out the specimens in the centre-right, where the sharpened bits differ in colour from the bodies.  These are either patinated specimens subsequently reground and recycled, or speak to a process of heat treating or oiling or similar to enhance the raw material.  You could read all about this in my M.A. thesis if it were online, which it isn’t.  Or wasn’t until five minutes ago.  But I digress.

What I like is the text associated with these images.

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New Finds from NWT Ice Patches

340 year old bow made from willow wood - bow was found in multiple fragments. Photo: Tom Andrews via livescience.com.

In many parts of Northwest North America glaciers and ice patches are melting at unprecedented rates.  In some cases, these are revealing extraordinary archaeological remains, as I have noted before for Alaska.  There’s recently been some short news reports about new finds in the Northwest Territories, to add to the substantial work already done there.  Most of these reports rehash the same news release from the Arctic Institute of the Americas, which sponsored the research through International Polar Year funding (now ended).  Only a few sites have photos, though.

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