Category Archives: history

Tongass Timeline

Detail of diorama of Paleomarine Period, Southeast Alaska. Source: Tongass NF

The Tongass National Forest in Southeast Alaska has a lot of interesting stuff online.  I’ve just found they have a cool set of dioramas illustrating different time periods from the last 10,000 years of human history (scroll to the bottom of this page).  These start with the palaeomarine period, about 10,000 years, a section of which is seen above.  Some of it is conjectural of course and I am not going to go to the wall defending its veracity, but I do appreciate the National Forest making an effort to present the past in an accessible way.

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Images from the Likeness House

Cover of Dan Savard's new book. The RBCM caption reads: "This man has been variously identified as a chief from four different areas of BC’s interior, including possibly Tyee Jim from the central interior (tyee means “chief” in Chinook, a trade language). John Wallace Jones or Thomas McNabb Jones photograph, about 1897." Source of this photo: Amazon.ca

There is an exciting new book in the pipeline on early photography and First Nations of the historic period.  The author, Dan Savard, is senior collections manager of the Royal BC Museum’s anthropology audio and visual collection.  The promotional blurb reads:

On a winter’s day in 1889, Tsimshian Chief Arthur Wellington Clah visited Hannah and Richard Maynard’s photography studio in Victoria to have his portrait taken. “Rebekah ask if I going likeness house,” Chief Clah wrote in his diary, “So I go, to give myself likeness. Rebekah stand longside me.” In Images from the Likeness House, Dan Savard explores the relationship between First Peoples in British Columbia, Alaska and Washington and the photographers who made images of them from the late 1850s to the 1920s.

I won’t be here (have some bottom sampling to attend to in Haida Gwaii), but Dan is giving a free public lecture and will sign copies of his book next week at the RBCM.

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Seattle waterfront archaeology

"Native American encampment on landfill, circa 1900, south of South Royal Brougham Way and east of First Avenue South." Source: crosscut.com

At the ASBC talk last night it was clear that major industrial development can still leave substantial and highly significant archaeological materials interspersed even within the boundaries of heavy impact – in this case within a few dozen metres of a major hydroelectric dam.  This reminded me of a recent story I read about downtown Seattle archaeology.  Due mainly to concerns about what would happen in even a moderate earthquake comparable to the Nisqually event of 2001, Seattle is planning to replace the Alaska Way viaduct – that multi-level highway which blocks the city from its own waterfront.  You can watch a video of a simulation of the collapse of the viaduct here – I am sure most Seattlers would like to be done with that uncivic monstrosity, but not, perhaps, so suddenly.  Ironically, the ASBC talk on Ruskin Dam was also a seismic upgrade project.

Anyway, the current plan in Seattle is to put a cut-and-cover tunnel in its place – similar to some of the tunnels recently built in Vancouver’s new Canada Line LRT.  Crosscut.com’s Archaeology-savvy reporter “Mossback” (Knute Berger) has two excellent articles on the problems likely to arise when you dig such a large ditch through dense pre-contact and historic archaeology.  The first article ran on May 11th, with the followup article on May 12th.  If you are truly dedicated, there is a 200 page overview (6 meg PDF) of cultural resource management for the project, though it largely focuses on historic buildings and it relatively vague.

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Capilano University Field School Blog

"At each logging camp a familiar discovery was a wood burning stove or oven. The one pictured {above} had stumped some former students of Muckle's in the past because the student who helped recover the stove had read an engraving on the side saying "To Jake". After pondering upon this curious inscription, it was realized that the "J" had incorrectly been read, and the whole etching had actually said "To Bake", commonly found on ovens." Source: http://archaeologyfieldschool.blogspot.com/

I noticed that the Capilano University Archaeology Field School, which just started a few days ago near Vancouver, has a blog.  So far there are three days worth of entries and it looks like it will be a lot of fun to follow along with the students who, under the direction of  Bob Muckle, will be continuing to work on the archaeology of historic logging in the Seymour River Watershed, which flows into Burrard Inlet.  Much of the logging was conducted by Japanese immigrants, making for a nice overlay of ethnicity and capitalism and material culture.

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More on Comox Harbour Fishtraps

Fishtrap stakes delineating chevron patterns in the intertidal zone of Comox Harbour. Photo credit: Greene 2010.

I posted once before some time ago on the incredible fishtrap complexes in Comox Harbour on eastern Vancouver Island, highlighting Megan Caldwell’s M.A. thesis (downloadable) on the topic, and mentioning in passing that primacy of investigation should perhaps go to Nancy Greene, who has been mapping and dating these features for about a decade.  I was glad to find the other day that Nancy Greene has a 2010 downloadable poster on the topic (link starts a 4 meg PDF)  from an academic conference: WARP, the Wetland Archaeological Research Project, which itself has a nifty new website.

These Comox Harbour fishtraps are one of the wonders of B.C. Archaeology and it is highly welcome to see some more of Greene’s reconstructions and mapping.

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Russian Plastic Tlingit Warrior Models. And more!

Model of a Tlingit warrior. Source: http://www.modelsculpt.org, click for original page.

Well, there’s another headline I never thought I’d write!  Don’t ask me how I found it but these Russian guys have a passion for modelling human figures and one of their subjects is a Tlingit warrior.  It’s actually pretty impressive, with slat armour faithfully rendered, a wooden helmet and the circular gorget or throat protector. Scroll around on that forum for more images of the model.  We’ve looked at Tlingit slat armour on this site once before, as well.  The narrow slit between the helmet and the gorget or collar might seem exaggerated, but it agrees with this picture (also perhaps exaggerated) and this drawing, both apparently from Russian sources.

But there was an ancillary benefit to looking through this Russian-language forum: one of the participants has scanned some amazing pages of Tlingit art and artifacts from a Russian book, stuff I had never seen before that perhaps has its origins in colonial Russian Alaska.

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More on the Sea-to-Sky Cultural Journey

Sign at the Horsehoe bay kiosk. Source: tad McIlwraith flickr.com account.

A month or two ago I commented on the Squamish and Lil’wat Cultural Journey website, which explores oral history and place names in the traditional territory of these two southwestern British Columbia First Nations.  I was really happy to see that Douglas College Anthropologist (and occasional commenter here) Dr. Tad McIlwraith has carried the review much further.  He’s even taken it into the field, so to speak, by documenting and discussing the actual cultural centre itself, and also the roadside kiosks which bring Squamish and Lil’wat histories to the travelling public.

Tad’s review has two parts.

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William Alexander’s Watercolours of Vancouver’s Voyage

Village of the Friendly Indians near Bute's Canal. Watercolour by William Alexander. Source: University of Illinois.

Yesterday I posted an engraved  view of  a village near the entrance to Bute Inlet, the view seen in 1792 during the voyage of Captain Vancouver.  Much as with the earlier posts on John Webber (1, 2, 3), there are multiple versions of these scenes.  The above shows a watercolour rendering made by William Alexander, a well known artist and draughtsman of the late 18th century.  It seems his series of works on the NW Coast was not done from life but was a commissioned finalization of the drawings of William Daniell, who was actually on Vancouver’s voyages, and perhaps other artists/oficer’s sketches.  At least that is the story I’ve been able to winkle out, starting from a position of sheer ignorance.  Nicely, though, Alexander’s watercolours from the Vancouver Voyage series, covering Alaska, the Northwest Coast and some views of California and Chile, are all available online through the Newberry Library at the University of Illinois.  These renderings were not familiar to me and perhaps not to you, either.

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Houses on Stilts

"Village of the Friendly Indians at the Entrance of Bute's Canal", 1792. Click for zoomable version.

The above image shows a seemingly improbable Kwiakah Kwakwaka’wakw Village (EDIT: probably Homathko Coast Salish Village) at the entrance to Bute Inlet, as drawn in 1792 by a member of Captain Vancouver’s expedition.  With the houses scattered up a steep hillside, the top one apparently partially cantilevered out, it does not fit the average archaeologist’s mental model of a typical Northwest Coast village.  The setting would undoubtedly have some defensive advantages, at least for those at the top.  I know of another image of a steeply-tiered village site which is apparently not strictly a defensive site.  Hard to live on the side of such a steep hill, you might think.  Wouldn’t it be nice to have photographs of such a village?  Aha.

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Basket Conservation at the Langley Centennial Museum

N'laka'pamux Basket undergoing conservation treatment. Source: LangleyMueum.org

I know I occasionally grumble about how regional, publicly funded museums in B.C. are almost devoid of archaeological and aboriginal substance, especially on the web.  A happy exception to this is the Langley Centennial Museum near Vancouver, which has an unusual and interesting virtual exhibit of N’laka’pamux basketry.  The museum is in the possession of a large collection of these baskets, made by an interesting historical figure from the Yale-Lytton area of the Fraser River: one Kathleen Pearson. The exhibit consists of a number of pages, including a short essay (5 pages) which is strangely not clearly linked, based around Boas et al.’s 1928 Bureau of American Ethnology Publication.  The museum goes beyond the historical frame by discussing recent named weavers such as Mary Ann James, and the continuing tradition of N’laka’pamux basket making.

It is really great to see a relatively small museum explicitly recognizing that the world didn’t begin in 1846 and going beyond the story of white settlers as if they were a self contained pod of culture beamed down from Queen Victoria’s forehead.  The other thing  I particularly like about this small web exhibit is that the museum highlights the activities of another group of unsung heroes in the world of heritage conservation: the conservators who restore, stabilize and protect the artifacts entrusted to museums.

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