Category Archives: history

Coast Salish Cultural Landscapes on Google Street View

Hwkwitsum (Davis Lagoon) on Google Street View. Screenshot from Google. Click to visit site.

Hwkwitsum (Davis Lagoon) on Google Street View. Screenshot from Google. Click to visit site.

While perhaps best known for having an excellent espresso machine within arm’s reach of his office recliner, UVIC’s own Dr. Brian Thom also runs the Anthropology Department’s Ethnographic Mapping Lab.  One recent creation of this lab is a project to incorporate panoramic, scrollable photos and expository text of certain  Coast Salish cultural landscapes into Google’s street view (Brian has been working on several cool projects with Google’s sponsorship and assistance.)  This is a cool example of applied community-based research brought to the public eye in a sensitive manner. Continue reading

Haida stone carving from Chumash Territory, California?

NW Coast stone carving found in Chumash Territory, California. Source: http://www.arrowheadology.com/forums/showthread.php?t=42646&p=359269&viewfull=1#post359269

NW Coast stone carving found in Chumash Territory, California. Source: http://www.arrowheadology.com/forums/showthread.php?t=42646&p=359269&viewfull=1#post359269

If someone out there in webland makes a link to my blog, and then someone else clicks on that link, I might be able to tell which site is referring to me.  Sometimes this leads to unexpected discoveries.  One of these incoming links is a query to an artifact collecting forum (boo) from a collector in southern California, who found the above small sculpture in Chumash territory.  As is so common in the collector world, there is no other contextual information about this piece, which to my eye, appears to be an early historic Haida carving in argillite. Knowledgeable readers may wish to weigh in below in the comments section about the motifs and provenance of this sculpture – there are more fairly low-quality pictures here. How it made its way to the Santa Barbara area is anyone’s guess, it may have been a simple curio bought by a tourist, or it may be a now-lost bit of evocative human history like the one I suggested here for Haida argillite found on San Juan Island.

NW Coast stone carving found in Chumash Territory, California. Source: http://www.arrowheadology.com/forums/showthread.php?t=42646&p=359269&viewfull=1#post359269

NW Coast stone carving found in Chumash Territory, California. Source: http://www.arrowheadology.com/forums/showthread.php?t=42646&p=359269&viewfull=1#post359269

Get to Know your (Aboriginal) Neighbours: three events in Victoria

Detail of the Community Mapping event, November 25th, Victoria.

Detail of the Community Mapping event, November 25th, Victoria.

One of the greatest privileges in NW Coast Archaeology is the opportunity to work with First Nations people of all walks of life and to be afforded the chance to tell a small part of their magnificent histories. How many settlers in this area don’t know a single aboriginal person? More than a few, I reckon. Yet how to get that face to face contact so essential for gaining an understanding of the historical circumstances of First Nations if, unlike me, your day job doesn’t have it somewhat built in? If you live in Victoria, you have three  great options coming up – and all three include some archaeological content.  Perhaps archaeology has the potential, not commonly realized, of forming a space of shared interest where conversations can start. Continue reading

“Prehistoric Cairns of Vancouver Island”: notes for a lecture given in 1901

Frank Sylvester Burial Cairns Manuscript, Page One. Source: UVic Special Collections: http://goo.gl/mSxBGe

Frank Sylvester Burial Cairns Manuscript, Page One. Source: UVic Special Collections: http://goo.gl/mSxBGe

There’s an interesting manuscript digitized in the University of Victoria’s special collections library, entitled “Prehistoric Cairns of Vancouver Island.”  The accession notes read:

“Handwritten manuscript, on ruled paper with red-lined margin. Pages hand-numbered 1-20. Signed and dated: Frank Sylvester, Victoria, B.C., June 10, 1901. Appears to be notes for a talk that Frank Sylvester gave, concerning burial cairns on Vancouver Island, his method of excavation of the cairns, and his theories as to the meaning of the cairns and the ancestry of the people buried there.”

It’s a curious document, a mixture of interesting observation, shameless plunder and racial theorizing.  It’s also one of the more complete descriptions I’ve seen of the burial cairn excavation activities of the Victoria Natural History Society.  I don’t recall seeing it cited in the literature, so it’s possible others haven’t come across it either.  In the interests of broad circulation and easy reading,  I’ve transcribed it (PDF), and I also put a version on google docs if anyone cares to improve that transcription.

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Stone Foundations and Tent Platforms in NW Coast Archaeology

Tlingit house with stone wall foundation near Juneau, Alaska.  Source: SHI Archives, Richard Wood collection. http://goo.gl/hH9Pfl

Tlingit house with stone wall foundation. “Photograph of a Taku village homes, photo likely by Partridge, circa 1887. Village site was located on the mainland across from Douglas Island, south of present-day Juneau”: SHI Archives, Richard Wood collection. http://goo.gl/hH9Pfl

We’re a little obsessed with wooden architecture in the NW Coast archaeology world – with good reason, I guess, since monumental wooden houses are such a prominent feature of the recent past. I suppose we sometimes stereotype these houses a little – a point some commenters made in the Houses on Stilts post here a while back – we think: “large rectangular house squatting in midden supported by giant house posts.” Not always the case, certainly not through time.

In general, we may underestimate large scale constructions in stone.  Burial cairns and mounds (one of Darcy’s consists of 18 dump-trucks worth of soil), rock wall defensive sites, trench embankments, canoe runs, fish traps, and of course, clam gardens, all involved massive deployments of stone, with associated labour investments and creation of a durable built environment. Anyway, we’ve recently been running into enigmatic rock structures on the central coast and Quadra Island, and in particular, the possibility of dwelling structures partially based on stone walls.  So it’s quite cool to run across the picture above from the SHI photo collections, showing a Taku Tlingit house from the historic period, sitting on a platform which has a stone wall as a foundation.

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A Lummi Reef Net Model

Lummi Reef Netting Model. Source: WhatcomWatch.org

Lummi Reef Netting Model. Source: http://whatcomwatch.org/wpww/?p=348

A while back I found the cool picture above in an online exhibit of the Whatcom Museum showing photographs of Point Roberts and Lummi Island, on Puget Sound just south of the Canadian border.  Reef netting is a peculiarly Straits Salish technology which involved the setting of complex nets, suspended between two canoes, at strategic locations where the natural flow of salmon was constrained. A sort of on-ramp led the fish up to the net by creating a gentle optical illusion of a rising bottom.  When the salmon were milling around in the horizontal net, still free, the canoes would be suddenly swung together, closing the net and trapping the salmon.

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The Giant of Happy Valley

The giant of Happy Valley Esquivalt(?) [sic].  Sent to Professor Flower at Nat Hist Mus and returned to the owner Left McCallum. Source: British Museum.

“The giant of Happy Valley Esquivalt(?) [sic]. Sent to Professor Flower at Nat Hist Mus and returned to the owner Left McCallum.” Source: British Museum.

When I was looking for more information about the Coast Salish grave houses I pictured a few days ago, I ran into these images from the British Museum.  They show the torso and head of a large human figure, carved out of wood.  The height of the sculpture is 4 foot 9 inches, meaning the whole sculpture, assuming it once had legs, would have stood well over seven feet tall.  So, a giant indeed.  There is very little information about the sculpture, other than it comes from happy Valley, “Esquivalt” – clearly meaning Esquimalt – a neighbouring municipality to the west of Victoria.  The next municipality to the west is Colwood, and indeed it has a prominent “Happy Valley Road” running through it into Metchosin.  While at the first glance the sculpture doesn’t appear to be a typical NW Coast sculpture, I think there’s reason to at least consider that possibility.

[edit: be sure to see the comment from Pete at the bottom]

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ASBC Victoria January Meeting: Tom Bown & Historical Archaeology, Tuesday Jan 21st

Please note the new location for this talk (below) – ASBC Victoria is no longer at the Pacific Forestry Centee

Tom Bown
A Trail of Empties

Tuesday, January 21, 2014,
7:30 pm

Cornett B129, UVic

Abstract: Global expansion from the 17th century on could likely be studied just by the trail of bottles left behind. Fortunately glass preserves well and, based on the style and method of manufacture, can offer some very precise dating tools. In an archeological context glass fragments are often the first indication of contact or trade with the outside world. They can also offer information about a site and the people who lived there. During the talk I will offer an overview of how to identify and date glass bottles along with some “hands on” examples.

Feel free to bring bottles of your own for possible identification.

My spies in the UVIC Anthropology Department tell me they are really happy to be the new host for the ASBC, and are very grateful to the Pacific Forestry Centre for their many years of hospitality.  Instructions and a map to Cornett Building B129, UVIC are below.

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Interior of a Coast Salish Longhouse, 1864

Interior of a Salish Longhouse, 1864. Watercolour by Edward Mallott Richardson.  Locale uknown. Source: Canadian Archives.  Click to enlarge.

Interior of a Salish Longhouse, 1864. Watercolour by Edward Mallott Richardson. Locale uknown. Source: Canadian Archives. Click to enlarge.

Following on from the post about the Salish mausoleum, here is a companion painting by Edward Mallott Richardson from the same year, depicting the interior of a house.  It’s a curious painting, seemingly devoid of close detail.  Where are all the drying fish?!  But at the same time it shows some features of interest which may be worth discussing.  Note the fellow with the gun has a powderhorn, for example, and the basket behind him looks like one of those rectangular coiled ones, only with a tumpline, as shown by the woman entering on the left.  On the far right is a semi-conical object that might be a hat, sitting on a platform within a small compartment.

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A Coast Salish Mausoleum, 1864

A Salish Grave, 1864. Watercolour by Edward M. Richardson. No specific locale given. Source: CollectionsCanada.gc.ca

A Salish Grave, 1864. Watercolour by Edward M. Richardson. No specific locale given. Source: CollectionsCanada.gc.ca  Click to enlarge slightly.

“Grave House” is one of those archaeological terms which render slightly creepy a feature that is more or less an everyday experience: the mausoleum, a house for the dead, filled with coffins.

This is a fascinating image I hadn’t come across before: a very early image of a Coast Salish mausoleum.  It highlights the artistry and vividness of these features better than the few sketches or early photographs do. The accompanying text at the Canadian Archives is:

Subject depicts grave boxes in a grave house with guardian figures. The grave house is covered with a roof of wooden planks but has no walls. At the front of the house stands six guardian figures. There are flags to the left and right of the house. On the left hand side of the house a tent is set up and clothes are hanging. A shotgun hangs from the front beam of the house. Item was up for auction in the September 28, 1970 Christie’s sale in Calgary. Lot 31.

The image isn’t very high-resolution but there are still some things to talk about – and there is another Richardson painting I’ll link to in a day or two. (edit: here) Continue reading