So, not long ago we had an excellent discussion here centered around Edward Richardson’s 1864 painting of a Coast Salish grave house or mausoleum. I’ve recently come across another set of images of these places which are so important to First Nations. These images were painted by well-known early Victoria resident (and former mayor and Supreme Court of BC Justice) Montague Tyrwhitt-Drake. They’re pretty interesting paintings from the early colonial period on southern Vancouver Island which I don’t recall seeing before.
The painting above clearly shows a small mausoleum, weighted with rocks on top, in front of which are two carved figures. The one on the right includes fishers or river otters, both of which have important spiritual significance in this area. Each of these images has notes on the back, which are also reproduced at the British Museum site (click the image to go to the accession record). For this image, the notes aren’t transcribed, though maybe someone with better olde handwritinge fkills would care to have a go As near as I can make out, the back reads:
This is another eccentric specimen of Indian taste for sculpture, it is equal to the finest specimens of _________ — see the elegant attitude of that man scratching his ?cheek bone, but a _____ ________ _______ would have mastered __________ a flight of ___________ imagination. The other is holding two dogs [sic] of a breed which I am afraid is lost to the present generation. This ______ are carved in wood and _____ ________ near a large grave of the family vault above ground ___________ .
It”s true, both sculptures are lively and naturalistic. In both cases, and the one below, there is apparently a rendering of face paint. I’m sure those readers more knowledgeable than I will see a lot of interesting detail in these pictures. Note the open prairie environment – anthropogenic Garry Oak meadow, no doubt.