Tag Archives: Archaeology

Major expansion at the Royal B.C. Museum?

Proposed changes to the RBCM: the clear white structure to the back left is the new curatorial tower & archives; to the right is a new entrance and multi-functional area. Source: Times-Colonist.

The Victoria Times-Colonist had a story Saturday that the Royal B.C. Museum is proposing a major expansion, in which theirs quare footage would more than double, from 379,000 to 895,000 square feet.  The curatorial tower and the low-rise archives building on the NW side of the block would be demolished, replaced by a new multi-function complex which would also form the entrance to the museum.  The collections and curatorial facilities, and the archives, would move to a new 14 story building to the south of the current museum.  The RBCM C.E.O, Pauline Rafferty (an archaeologist by training) notes that ““We are now at a crossroads.  We have outgrown our on-site storage facilities and significant artifacts are stored below sea level.”  The article estimates the cost will be in the hundreds of millions of dollars which is easy to believe. The Times-Colonist weighs in with a strong editorial of support, citing the collapse of the Cologne archives last year with irreparable damage to the history of that City.  So: no-brainer, right?

Continue reading

Boundary Maintenance

Headland with wooden markers. Click to zoom.

This is one of my favourite pictures of B.C. Archaeology, even though  it doesn’t look like much.  It’s a bit fuzzy: I took it with a zoom lens in about 1985 , rounding a headland in a small boat  on the Central Coast.  In fact, you might think it doesn’t look all that archaeological.  Look closer: sticking up to the right of the white triangle you can see the carved head of a pole.

The white triangle is a standard device used by Fisheries to demarcate the different fishing zones on the coast, for management purposes.  On one side of the triangle there might be different catch limits or closures or seasons of harvest enforced than on the other.

I don’t know much about the pole, but its location on such a prominent headland, facing the open Pacific, next stop Japan, is suggestive it marked a change of territory, a boundary shift, a movement from the control of one lineage or house to another. You don’t often see such a pole away from a village site.

Both wooden markers may ultimately serve the same purpose: boundary maintenance between zones of control; advertisements for power; watchful symbols of formal rights; the means of resource management.  It is intriguing and almost poetic to see them standing, side by side, on the same headland, guarding the same water.

Detail of wooden markers.

1973 Aboriginal Perspective on UBC-MOA and SFU archaeology

Excerpt of 1973 Nesika newsletter criticizing MOA and SFU Archaeology. Click to view full page. Scroll down this page for link to plain text.

2018 edit: It looks like Nesika is now available to browse here, and to search here.

This is interesting, from the newsletter Nesika: Voice of B.C. Indians Vol. 2 No. 1 (February 1973), Page 6:

MONEY FOR BOAT: There is money to fund a boat to take archaeology students up and down our coastline to dig up the bones of our grandfathers and sift, sort, and label sacred objects from our burial grounds, but no money for us to treat our heritage with the dignity it. deserves?

This can only refer to the former pride and joy of the SFU department of Archaeology, the motor vessel Sisiutl.

That page from Nesika has two interesting articles.  One argues for the creation of a Cultural Centre at Hesquiat, while the other passionately objects to the millions spent on the UBC Museum of Anthropology and the above-mentioned Sisiutl.  Click on the image above for a legible image of the entire text, or click here for a transcript.  It is chastening to see the eloquence and power of these arguments from almost 40 years ago.  Hesquiat still has no Cultural Centre so far as I know while the Museum of Anthropology just wrapped up a 60+ million dollar renovation and SFU Archaeology has what amounts to their own, brand-new building as well, at what I hear was a cost of about 5 million dollars.

HESQUIAT BAND CULTURAL CENTRE

Lack of funds hit by Chief Rocky Amos

VANCOUVER (Staff) — After Indian Affairs had denied a request for funds for the Hesquiat Cultural Centre due to lack of funds, Band Chief Rocky Amos told the department that “we cannot accept the limitation of funds as valid.” Pointing to the $10 million available to a museum to house Indian artifacts at UBC and to other reports of funds granted for more white people to study Indians, Chief Amos wrote DIA: “It is difficult to follow the line of thinking that makes money available to exhibit our inheritance to city based people and when the rightful heirs to these very artifacts ask for assistance to house their history in an area where it will be meaningful to them, they are denied. “We of the Hesquiat Band are not unique and we have proven we can do it. Now we are made to crawl on our stomachs begging for funds to house our heritage. My pride is aching from begging but my pride also screams in agony when our people are forced into whitemen’s museums to see their inheritance.”

As the second article concludes in terms it is hard to argue with:

If there is money available for museums to store stolen work, then there is money available for museums to be built where that work belongs. With the children and grandchildren of the artists who represented a culture and society which has not, despite all efforts, conveniently died.

First custom built archaeology research vessel in North America: The Sisiutl. Recently scrapped by SFU.  Source: American Antiquity.

PS: kudos to the Union of BC Indian Chiefs for putting so much archival information online.  In related news, I previously linked to the archives of the Native Voice, which is another great resource for understanding First Nations politics and which also contains intriguing aboriginal perspectives on the practice of BC Archaeology.

Tse-whit-zen interactive pages and slide show

Whale vertebrae modified into a spindle whorl, from the Tse-whit-zen site. Source: Seattle Times

I mentioned the Tse-whit-zen site a few days ago, in reference to the recent discovery of a small whale sculpture found there in 2009.  The Seattle Times had a superb web site on this ancient Klallam village, but unfortunately, many of the links are broken (how does that even happen, anyway?).  But the four part illustrated slide show with extensive audio commentary by Klallam, archaeologists and other people is still available and is well worth watching – in fact its one of the best such slideshows I’ve seen.  The Interactive Village component of the site is still active as well, and also definitely worth checking out.

As with so many of these sad stories of site disturbance through development, there is a silver lining as the dig itself, and the objects found, have contributed to a vitalization of Klallam traditional practices and increased interest in Klallam traditional culture within their younger generation.  At a severe price, though: over three hundred burials were excavated and removed from the site before the project, a massive graving dock, was brought to a halt – a halt which, according to some, cost over 100 million dollars.  I’m posting some of the pictures in case the Times site loses even more functionality.

Comb recovered from Tse-whit-zen site. Source: Seattle Times.

One of the more than 800 remarkable etched stones found at Tse-whit-zen, some in association with human remains. Source: Seattle Times

More than 300 human burials were disturbed by the graving dock project. Here, some await reburial in a warehouse on site. Source: Seattle Times.

Speaking of Ozette: dSpace resources.

The "White Series" Ozette reports are freely available for download! Image shows house-plank decoration from the Ozette Site, used as cover art for these reports.

This space has recently carried a lot of items about the Ozette water-saturated site on the Olympic Peninsula,  about Makah whaling, and Queets canoes, and other wet sites in Washington State.  All archaeologists and many of the public in the Northwest are familiar with the Ozette site which, with its fabulous preservation has stimulated a lot of work on the archaeology of the big houses which so characterise the culture area from the Columbia to the Gulf of Alaska. A principal way most archaeologists are familiar with Ozette is through the three large  site reports published by Washington State University, bound as large white paperbacks, and found on the bookshelf of archaeologists across the region.

So, imagine how happy I was to find that all three volumes are available as free PDF downloads from Washington State University.  The PDFs are very large, perhaps un-necessarily so, but who can complain about over a thousand pages of detailed archaeological information on one of the most significant archaeological sites in North America, or even the world?  The three volumes are:

  • Samuels et al.  Ozette archaeological project research reports Volume I House structure and floor midden. 1991.  Link to download page.  (193 megs)
  • Samuels et al. Ozette archaeological project research reports volume II Fauna. 1994.  Link to download page(154 megs)
  • Whelchel et al.  Ozette archaeological project research reports volume III ethnobotany and wood technology.  2004.  Link to download page.  (288 megs).
  • While you’re at it, pick up Dale Croes’ pioneering 1974 computer applications in archaeology paper: The use of computer graphics in archaeology : a case study from the Ozette site, WashingtonLink to download page.  (149 megs).

UPDATE March 3/2010:  the handle.net URLs have been broken for a couple of days.  Try this link to get straight to WSU dSpace for Ozette. If that breaks ( a lot of places prevent stable URLs from search results because obviously people never want to share things) then go here and enter “ozette” in the search box.

(Note: all the above documents may download as files named “ARI” with no file extension.  You will need to add the extension .PDF to the file before you open it.)

These PDFs are fully searchable which makes finding things within the copious material of the Ozette site much easier.  The huge number of artifacts, features and fauna from Ozette have been a blessing and a curse, as interpretation struggles under the dead weight of data.  I would therefore be remiss if I didn’t bring to your attention the excellent M.A. thesis on Northwest Coast household archaeology by UVIC’s own Brendan Gray, who uses Ozette as a test-bed to investigate how we might be able to dig less but dig smarter and therefore learn more from Northwest houses.  Every NW Coast archaeologist should read this thesis.

  • Gray, Brendan 2009.  Sampling methods in Northwest Coast household archaeology: a simulation approach using faunal data from the Ozette siteLink (a bargain at 4.8 megs)

Anyway, I know many readers might find this to be too much inf.ormation, but I don’t believe it is common knowledge that these full text Ozette reports are freely available:  the WASU servers are fast, hard drives are cheap, and the reports are first class.  Enjoy.

Simulated and actual sampling designs projected onto Ozette house floors. From Brendan Gray M.A. thesis.

Memories of Ozette

Makah whaler Wilson Parker posing as a MAKAH WHALER for Edward Curtis, ca.1915

The magazine of Washington State University has a nice article on the archaeological project at Ozette, the UNESCO World Heritage Site on the west side of the Olympic Peninsula.  This Makah village site was covered by a landslide about three hundred years ago (animation), which created preservation conditions highly favourable to preservation of wooden artifacts.  The story begins

THERE’S A WELL-KNOWN PHOTOGRAPH taken by Native American chronicler Edward Curtis in 1915 of a Makah whaler. Dressed in an animal skin, the man is longhaired and wild. He had indeed been a whaler, as had generations of his people. But still, the photograph is a memory of a time already past. Curtis provided Wilson Parker with a hide and a wig to replace the European clothes the Makahs had adopted long before. In spite of Curtis’s fiction, however, there is much to be learned from Wilson Parker, the man in the photograph. As is always the case with a good myth, there is a deeper truth that lies beneath the surface story.

Parker is Sharon Kanichy’s great-great-grandfather, she tells me as we talk in the Makah cultural center in Neah Bay. Kanichy ’01 was born in February 1970. That same month, a powerful storm blew in off the Pacific, eroding the bank above the beach at Cape Alava, on the Olympic Coast, revealing something remarkable.

“All we knew was there was a burial site,” says Ed Claplanhoo of the buried longhouses revealed by that February storm. Claplanhoo ’56 was Makah tribal chairman in 1970, so it was he who got a phone call the first Saturday in February, from a hippie schoolteacher, as Claplanhoo describes him. A dubious character, says Claplanhoo, which is why he didn’t take the fellow seriously when he tried to warn Claplanhoo that “people” were getting in the “house” and taking “artifacts.” Claplanhoo knew everyone in Neah Bay and knew everyone who owned artifacts. He’d heard of no problems.

But the fellow persisted. The next Sunday, the same phone call. “Mr. Claplanhoo, they’re still taking artifacts out of the house.”

“So I said okay,” says Claplanhoo, “I’ll tell you what, you come to my house at seven o’clock tonight and we’ll talk about it.”

From there, the article recounts the story of the Ozette excavations from the point of view of both Makah and the archaeologist Richard Daugherty, who led the decade long excavation of “North America’s Pompeii.”  It nicely captures the importance of the site as well as the nature of the dig and the social relations formed which endure to this day.

Don’t miss the slideshow from the excavations — it’s an awkward interface but some very atmospheric pictures of life on a remote archaeological dig in the 1960s – as well as a few shots of the US Marines who helped airlift supplies in and treasures out.

Digging at the Ozette Site - the hoses were used to gently free the wooden artifacts, such as the house planks shown, from the mudflow which buried them. Source: WASU Magazine.

Oregon: Where Past is Present

Stone lamp from interior Oregon with inset eyes of abalone shell. Source: OMNCH.

The Oregon Museum of Natural and Cultural History has some very nice exhibits and it looks like their underlying collections are superb.  Their online photo-gallery “Oregon: Where Past is Present” is some pretty nice eye-candy, though I would love to see them give a little more information about each piece.  The sculptural lamp above is simply superb.

So-called "wealth blade" made of flaked obsidian, length 25 cm. Source: OMNCH

Tse-whit-zen whale

Tse-whit-zen whale sculpture.  Source: Peninsula News, Port Angeles.

Whale sculpture from the Tse-whit-zen archaeological site, Port Angeles. Source: Peninsula News.

The Tse-whit-zen site is a former Klallam Tribe village that was discovered by the construction of a graving dock at Port Angeles, Washington State.  The subsequent disturbance and archaeological project led to an astonishing series of events with over 300 human burials recovered, many more disturbed, 65,000 artifacts recovered and after a huge investment the abandonment of the graving dock project at a cost some estimate in excess of 100 million dollars.  This is a story I want to know more about and will probably post on from time to time.

But for today, set aside the sad history and feast your eyes on the above small sculpture of a whale discovered during the summer of 2009 at Tse-whit-zen during mopping up remediation.  The artist has captured the essence of whale!  The article doesn’t say, but there may be a socket on the lower back of the whale just in front of the tail – perhaps this was the handle for a small chisel, or a knife.  I also wonder if it doesn’t go the other way up — the mouth is asymmetric and the arching back of a diving whale would be a more natural posture.  Either way, this is a happy little sculpture, probably dating from about 2,000 years ago.

One Tree, Four Canoes

"Making 4 canoes from one cedar tree, Olympic Loop, Queets, Washington.

Yesterday I posted on canoe steaming.  In the process of preparing that, I ran across an eye-popping photograph, above.  Seriously, I have been working on Northwest Coast Archaeology for over two decades.  I have a pretty good memory.

But I’d never seen this picture before, which shows four dugout canoes being made from a single red cedar felled on the Queets River, Washington State.  Click it for pretty high resolution.  This would presumably be territory of the Queets Tribe, who are now part of the Coast Salish speaking Quinalt Indian Nation.  Imagine the complex and revealing archaeological site left behind: the wood shavings, the planks, the skids, broken tools, coffee cups … years ago I worked on an excavation of a Culturally Modified Tree Site in Clayoquot Sound and we found superbly preserved wooden wedges, woodchips and other evidence of intensive logging and carpentry — evidence which, given the durability of cedar, could easily last for centuries.  Such a contrast to those sites dominated by stone tools: wood was where it was at on the Northwest Coast and yet archaeologically we see much less of it, and think about it less, than we ought to.

I don’t know much more about this picture than the caption.  If you do, then leave a comment!

Makah whaling canoes on the beach at Neah Bay. These are stylistically similar to the ones being made above and to the one being steamed in yesterday's video.

Canoe Steaming

Carl and Joe Martin steam a canoe near Tofino. Click to play video.

The Northwest Coast is rightly famous for the superb dugout canoes made by First Nations, a craft which continues to the present day.  It takes weeks or months to carve  a canoe from a single log of red cedar – imagine then the tension inherent in having a big part of the success or failure “boil down” to a single event the steaming process.  The video above shows master carvers Joe and Carl Martin of the Nuu-chah-nulth nation steaming a canoe at a beach near Tofino, on western Vancouver Island.

Steaming softens the cedar and makes it more flexible, allowing the insertion of carefully-measured, carefully-planned wooden spacers which spread the middle of the canoe into a graceful curve, increasing its buoyancy, resistance to capsizing, and introducing subtle yet beautiful lines, as seen in this enormous example mis-labelled (I think) as Salish.  After the canoe cools and dries, the wood returns to its natural properties. The process means the canoe can in principle be wider than the single piece of cedar from which it is carved.

You can click here to see a slide show of the steaming of a Haida canoe carved by the team of Jaalen Edenshaw and his father Guujaw. In the old times, a canoe might be roughed out in the bush then hauled to the beach for finishing.  Sometimes flaws in the wood or other interruptions mean a canoe was never finished.  Such half-finished vessels are a known, but uncommon archaeological site in the woods of coastal British Columbia.

The carving of such canoes is increasingly common.  Nowadays, the canoe log is likely to be hauled to a carving shed.  Sadly, a major constraint  on canoe construction is the difficulty in obtaining prime, straight, clear, old-growth cedar logs.

Partially finished Haida canoe in forest. Photo by Martin Lalune.