Forthcoming Vancouver Archaeology Talks

Once in a while I yawn, stretch, and look across the Moat of Georgia and notice something interesting happening in Vancouver.  This time I see there are two forthcoming events for those within striking distance of the Velvet Rut.

First, UBC is holding its annual Archaeology Day this weekend, Sunday March 21st.  The program, which looks great, can be viewed here.  The event is free and open to the public and is held in the Anthropology and Sociology Building on the UBC Campus.

Second, the Vancouver Chapter of the Archaeological Society of BC is holding a public lecture featuring SFU professor Eldon Yellowhorn.  His topic is “Encountering Modernity: the Piikani Historical Archaeology Project.  The poster is below, click for a legible version.  The talk is Wednesday March 24th at 7.00 at the Museum of Vancouver (who don’t seem to have it listed on their calendar), and it is free and open to the public.

Memo to the ASBC-Vancouver: update your web site if you want people to come to your talks.

Click to enlarge

A Portal to Online Graduate Theses and Dissertations

If you look up you should see two more links have been added along the header of this page, just above the banner picture.

ARCHAEOLOGY THESES is a page of links to freely-available, online PDF copies of graduate dissertations and theses on Northwest Archaeology subjects (with a few palaeo-environment theses thrown in for fun).

OTHER THESES is a similar page, but where the focus is on Northwest Anthropology, First Nations Studies, History and related disciplines.

I am planning another page which will be for online archaeological, ethnographic and historic documents of note, in particular “classic” ethnographic works and major site reports which have been intentionally posted in online contexts.  Probably this will be a few weeks yet.

The impetus for these pages is that I have often said the M.A. thesis in particular is a significant backbone of B.C. Archaeology, and the dissertation even more so.  For years these substantial works languished on library shelves.  Now, libraries are increasingly making them available online, free to the public and the academy alike – that is, not behind password protection.

However, you have to know how to look, and where to look, and often you need to know in advance what you are looking for, in order to find this stuff.  I thought it would be useful to have a very simple portal for these graduate works.  Not only does this make them browsable by the more hardcore of my blog readers, but it will get them some google-love!

Not all theses ever written are available online (mine isn’t!):  as it notes on the pages, there are programs in place at UVIC and UBC to digitize their back-catalogue of theses and dissertations.  It would be great if institutions like Calgary, Toronto and McMaster could get their dSpaces full, and open. Unless, of course, they are ashamed of the quality of their graduate student work 😉

So, these pages will be updated periodically. I am not vouching for the quality of any of the ones I linked — indeed a few of them are exceptionally poorly reasoned,  naive, unsupported, badly written, or long-winded efforts -and  in at least one case, all of the above!  Most are very solid though, in my estimation, and a few are truly excellent.  If you know of useful and relevant graduate work that is freely available and not yet linked, let me know in a comment below, or send me an email qmackie [at] gmail.com.  In the meantime, happy browsing.

Archaeomath’s advice for archaeology graduate school

Fish skeleton tattoo by Russell Fortier. Source: http://lucky7tattoo.net

I linked once before to the excellent quantitative zooarchaeology blog written by a mysterious anonymous figure.  Turns out the anonymous fish guy also has some great advice for graduate students – two pages worth, tailored to different stages.  I found myself agreeing with quite a bit of it.  Here are a few excerpts, but there is much more in the two excellent posts here and here.

Continue reading

Thoughts on a WSU Archaeological Perspective

Pioneering WSU archaeologist Richard Daugherty instructs students on the beach at Ozette, late 1960s. Source: WSU.

Washington State University (WSU) has one of the oldest and most notable programs in Northwestern North American archaeology, with pioneers such as Richard Daugherty and William Ackerman leading the way.  The WSU magazine has a nice interview with a number of their distinguished alumni and faculty, including William Andrefsky, Dale Croes, Colin Grier, and Gary Wessen.  There are some interesting quotes in it, notably, to my mind – and perhaps yours, if you are a university nerd like me: Continue reading

Alaskan Ice Patches

Barbed bone or antler point with copper tip from Alaskan Ice Patch. Source: Dixon, NPS

All over  Northwestern North America, from Colorado to the NWT, global climate change is rapidly melting glaciers, and their less mobile cousins, permanent patches of ice which accumulate and never completely melt.  Some finds from these ice patches have revealed exceptionally-preserved organic technology dating from recent times to more than 8,000 calendar years ago.  Additionally, of course, there is the remarkable story of Kwädąy Dän Ts’ìnchį, Long-Ago Person Found, a man who died on a glacier in the Tatsenshini area hundreds of years ago.  All of these would make good posts for the future!

For today, though, I found an article online (PDF) about the lesser known Alaskan ice patches, which have been researched primarily by E. James Dixon.  Continue reading

One more update on the Museum of Vancouver’s Petroglyph.

Interior Petroglyph now at Museum of Vancouver, while still in Stanley Park ca. 1980. Source: DanLeen.org

I have posted several times recently on a superb interior petroglyph boulder languishing in a shady courtyard at the Museum of Vancouver.  Together with Heather Pringle’s posts on this topic, we seem to have caught the attention of the Board of Directors of the Museum.

One of the Directors, Anthropology Professor Bruce Miller of UBC, called me the other day.  He consented to me posting notes from our conversation.   Continue reading

Making a stone tool, 1893

1893 flint-knapping description by Father Morice. Source: Canadiana.org

Father Adrien-Gabriel Morice was a Catholic missionary working in the Skeena and Bulkley River areas of western British Columbia during the later 19th century.  He is perhaps best known for his documentation and writing system for the “Carrier” (Yinka Dene) language, but he also published a major work entitled Notes Archaeological, Industrial and Technological of the Western Denes, with an Ethnographical Sketch of the Same (1893).  The work is a cornucopia of careful observation mixed with some interesting, and occasionally rather religiously judgmental and speculative, commentaries.  One of the most interesting short passages is excerpted above: Morice records how to make stone tools via flaking.  Because metal tools became widely available in the early historical period and had some superior qualities, such accounts of traditional flaked stone (the bread and butter of archaeological sites) are very rare.  The figure above appears accurate in its description of the slightly awkward-seeming way of holding the stone: I have seen this palm grip used by many contemporary flintknappers.  Elsewhere, Morice records a series of Yinka Dene names for different stones, including chalcedony and obsidian.  You can page through his book, but not download it in entirety, here at Canadiana.org. The illustration above is from Page 65 on the drop down menu.  (Why they don’t just make a link to the whole PDF is beyond me).  There are other informative sections, such as about 10 pages describing the operation of fish-traps and weirs.

Fish trap illustrated in Morice 1893. Source: Canadiana.org

March ASBC Talk: GvonP on UP Art

UVIC's own, Langford's own, Genevieve von Petzinger. Source: Goldstream News-Gazette

I had the pleasure of serving on this month’s ASBC speaker’s graduate committee and I know if you are in the Victoria area you will be entertained and educated at this talk – which unfortunately I can’t make due to pre-existing public speaking commitments of my own.  Genevieve has recently been featured on the cover of New Scientist magazine and there has been something of a global storm of publicity stemming from her Master’s research.

ARCHAEOLOGICAL SOCIETY OF BRITISH COLUMBIA, VICTORIA CHAPTER

March 2010 Monthly Meeting: Tuesday, March 16, 2010, 7:30 pm

Pacific Forestry Centre, 506 West Burnside Road.

The talk is free and open to the public.

Genevieve von Petzinger

Making the Abstract Concrete: The Place of Geometric Signs in French Upper Paleolithic Cave Art.

In Paleolithic cave art, geometric signs tend to outnumber figurative images and yet, they remain relatively understudied. To address this gap in our knowledge, I compiled a digital catalogue of all known geometric signs found in parietal art in France, and then trended the results looking for patterns of continuity and change over time and space. I focused on parietal art, as I could be certain of its provenance, and picked France as my region due to its abundance of decorated sites and its natural boundaries of water and mountain ranges. The database is searchable by a variety of criteria such as sign category, method of production, date range, site type, geographical coordinates and region. It is now being converted into an online resource. To provide a visual dimension, it includes a selection of linked photographs and reproductions of the different signs. In this thesis, I detail the chronological and regional patterning in sign type and frequency and the implications of these patterns for understanding where, when and why the making of these signs was meaningful to the Pleistocene peoples who created them.

(editor’s note: you can download her thesis free of charge here)

Biography Having been interested in the cognitive evolution of modern humans since her undergraduate days at the University of Victoria, Genevieve von Petzinger was finally able to explore this in more depth at the Master’s level. Working with Dr April Nowell, again at the University of Victoria, she was able to pursue this interest, and received her MA in June 2009. Using the geometric signs of Upper Paleolithic rock art, Genevieve discovered some very interesting information about these early examples of symbolic behaviour, and presented her findings at the Paleoanthropology Society meeting in Chicago, Illinois in April 2009. This presentation was the catalyst for her research being featured as the Feb. 20th, 2010 cover story in New Scientist magazine. This exposure then led to a strong media follow-up, which included an interview on the Discovery Channel, a feature in the Tuttoscienze supplemental of La Stampa in Italy, an article in the Globe and Mail, and a full page feature in the Vancouver Sun, as well many other popular press articles and radio interviews in French and English, both nationally and internationally. While being slightly overwhelmed by all the attention, Genevieve has been very excited about the positive response, and is just thrilled that other people want to hear her talk about her favourite subject!

For information, phone 384-6059 or e-mail asbcvictoria@gmail.com

Media Links

http://www.newscientist.com/article/mg20527481.200-the-writing-on-the-cave-wall.html?full=true

http://www.timescolonist.com/news/UVic+researcher+taps+into+cave+language/2599510/story.html

Shopping maul

Maul from the Dundas Collection.  Source: Sotheby's

Tsimshian Maul from the Dundas Collection. Source: Sotheby's

The Dundas collection of Tsimshian objects deserves a week of posts – not just for the stunning beauty and resonance of the art but for the profound issues in heritage management, cultural property ownership, and repatriation ethics which it raises or exemplifies.  I’ve been reading up on it a bit, and at one level the isssue is very simple: these Tsimshian treasures should have been repatriated – not to Canada per se, but to Tsimshian Territory.  At another level, there are complex, interwoven threads of (mutual) respect and ownership which make (and made) for no easy solution.   And no easy solution was reached: the collection was broken up, with the majority of the pieces sold to foreign hands (by foreign, here, I mean non-Tsimshian though I am prepared to argue this).

But for today, I was interested to see the Sotheby’s auction catalogue from the 2006 sale of this collection is still online.  The most interesting piece, of course, is the northern-style maul, seen above.  It sold for a surprising USD $1,320.00.  I wonder if it was in use at the time of collection or if it was already an archaeological specimen.  Collection of such materials from archaeological sites and their sale is, of course, now illegal although so far as I know there is a grandfather clause for older collections pre-dating the modern legislation.  I imagine any maul without such prominent provenance would be worth very little indeed.  Despite fetching far more than I would have imagined, it was a mere snip compared to the mask below which sold for a jaw-dropping USD$1,808,000.00.

Tsimshian Mask from the Dundas Collection. Source: Sotheby's.

Ucluelet, 1859

"Euclueliat village, Barclay Sound, Vancouver Island, N.W. Coast. H.M.S. Satellite" pen and ink and watercolor drawing 1859 Mar. Source: Yale. Click for original, click through for large size.

The above is a rendering of Ucluelet Inlet on the west coast of Vancouver Island, made in 1859.  You can clearly see the aboriginal village to the right. Artfully, the artist has caught a whale hunt at the exact moment of harpooning in the foreground.   I’ve zoomed in on the village below.

Detail of Ucluelet Inlet village.

Interestingly, the next picture in this folio from Yale University is labelled as a “Songhee” Village (below), yet rather than a Victoria area settlement, it fairly clearly shows what I think is another Ucluelet-area village, with the distinctive saddle-shaped hill to the east side of the inlet.  (The trees are different which makes me think it is a different one than above) Anyway, nothing earth-shaking but I had never seen these historic drawings before.

Songhee? Village. North West Coast Vancouver Island. Barclay Sound. H.M.S. Satellite." pen and ink and watercolor drawing 1859 Mar. Source: Yale. Click for original, then click through for large size.