Tag Archives: Visual Anthropology

Newsflash: Facebook is Good for Something

Lolota, the son of Zickchuse, - Snoqualmie - 1890

I’m a bit of a reluctant user of “facebook”, mostly because of their user-hostile and byzantine privacy policies.  However, increasingly people are using its easy interface to create really useful web pages, many of which you don’t need to be a member of facebook or logged in to enjoy.  There are some quite specific archaeology ones relevant to the Northwest Coast which I will review some other time.  Today, I want to focus on a remarkable compendium of historic photos of North American indigenous people.  There are almost 200 separate galleries, many with more than fifty pictures in them (do the math), under the auspices of the group administrator Jonathan Holmes, who takes an active role in the discussions and comments.  This is an enormous investment of time and effort, especially as many of the pictures have notes (hover your mouse over the picture) and in a remarkable number the identity of the subject is named and contextualized.  This is not a mere link dump for pictures – the over 20,000 comments reflect many positive reviews from Tribal and First Nations members (e.g., Tahltan) and members of the general public, (as well as some cranky comments from six year olds and racists). Continue reading

Museum of Vancouver Web Site (Fail)

The Sechelt Image. Detail of Screenshot from the Museum of Vancouver. (click for full screen or scroll down)

The Museum of Vancouver has a pretty slick and punchy website from a design point of view, very “Web 2.0” with bright colours and links to twitter and facebook and the like.  But in some respects it fails, and fails badly.   Consider the image above: the “Sechelt Image”, a stone sculpture and one of the most famous objects in BC Archaeology.  A single low-resolution picture is offered, a link to which is not possible, and downloads of which are  deliberately made difficult.  And in this protective bubble,  the object can only be seen as a pale, grainy image, surrounded by the Museum’s loud and crass colour scheme. (Update: see full screenshot below: the Vancouver Museum overlays its neon social web over the Sculpture much like Vancouver itself overlays aboriginal culture).

Fine – I am used to that ridiculous phenomenon wherein Public Institutions think they own the images that they are entrusted with – if the image is allowed to be seen by the descendent communities (and in this case I wonder if it really is) then why can it not be seen in high resolution, free from the magenta borders and the exhortations to tweet!?

But the real problem is that the web designers, with their stupid and un-necessary banner reading “Sechelt Image carved stone figure”, obscure an important area of the sculpture, including the all-important vulva which reveals, as noted by Wilson Duff, that this sculpture is powerfully hermaphroditic.  It is not just bad and regressive museology to cover up an important part of an object, but I believe it is deeply disrespectful as well.  By obscuring part of the image and by imprisoning it within their branded frame and obfuscating web design, they, the (hopefully) temporary guardians of this powerful piece of art, are visually co-opting it for what amounts to advertising purposes.  There is no reason to put your label over top of that which you claim to be displaying for its own sake; no reason other than marketing zeal and lack of control over the web designers.

You might think it was just prurience over the frankly sexual image, but below we see another image from their website with no shocking! vulva! to conceal, which has been similarly branded and bounded by the MoV.  Maybe I am just mad at them still because they’re using a petroglyph boulder as a rock garden (note the obscuring “petroglyph” banner) but really: their website is an egregious example of stealth appropriation and blatant disrespect under the disguise of progressive design and social networking.  And I’m just a dumb archaeologist: I’d love to see a Visual Anthropologist dissect the public face they are so eager for the world to see, the face they insist must frame every image on their website.

The Skytte stone bowl. Screenshot from the Museum of Vancouver website. Click for full screen.

The Website sends the Message: "This is Not a Place of Honour. There is No Dignity Here."